劃黑陳松志個展
在本次展覽中，藝術家將「劃黑」視為一種介於動作與界線之間的創作書寫，不僅象徵對秩序、形式與歷史的重述與裂解，更隱含一種感知節奏的擾動與造形位移。這樣的行動既具痕跡性，也生成臨時性的空間結構，使身體與物、秩序與逸脫之間的關係得以被重新思考與經驗化。
展覽中新作多以日常家居用品為基礎，包括充滿舊時代感的方桌、木櫃、舊衣等物件，透過藝術家精準的構置策略，形成一系列相互關聯的物質場域。在此過程中，物件不再僅為再利用的素材，而轉化為一種具有文化記憶與情感殘留的結構元素。陳松志的裝置操作模糊了具象與抽象、私密與公共、日常與詩意之間的界線，反映出他對於空間身體性、材料編碼與主體感知的長期關注。《劃黑》不僅指涉視覺層面的遮蔽與開顯，更是一種延伸至觀者身體經驗的觀看策略，促使我們重新思考物件如何成為觀看、感知與歷史對話的觸媒。
‘Black Dancing’ （劃黑） Chen Sung Chih Solo Exhibition opening soon at Carp Gallery!
In Black Dancing, Chen further conceptualizes the act of “marking black” as a form of corporeal inscription that exists between movement and boundary. This gesture signifies not only a rearticulation and disruption of order, form, and history, but also embodies a disturbance in perceptual rhythm and a displacement of energy. It is an act imbued with trace-like qualities, giving rise to ephemeral spatial structures in which the relationships between body and object, structure and escape, are reimagined and rendered experiential.
The exhibition features installations composed of familiar domestic items—vintage tables, wooden cabinets, worn clothing—strategically arranged through Chen’s refined compositional logic to form a series of interrelated material fields. In this process, objects are no longer mere recycled materials but are transformed into structural elements charged with cultural memory and emotional residue. His spatial operations blur the distinctions between figuration and abstraction, the private and the public, the everyday and the poetic—underscoring his sustained engagement with spatial corporeality, material coding, and subjective perception. Black Dancing refers not only to visual acts of concealment and revelation, but also to an embodied mode of perception. It offers a viewing strategy that draws the audience into reconsidering how objects become catalysts for seeing, sensing, and engaging with the echoes of history.
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類型： 人文藝術展覽
日期 ： 2025-06-14 至 2025-07-27 (一至兩個月內)
地點： 台灣臺中市 鯉魚藝廊Carp Gallery
地址： 台中市西區公益路174巷194號
主辦單位： 鯉魚藝廊 Carp Gallery
聯絡資訊：
無
