黃珮琪 Huang Pei-ChiCake City
黃珮琪生於1994年，創作橫跨攝影與空間裝置。她的實踐關注於觀看經驗、知覺錯位與日常景觀中的不穩定時刻。作品經常在細微的時間裂縫與視覺交錯中，捕捉生活中令人遲疑的片刻。
如藝術家所言：「當我們快速翻閱一本書時，墨水會隨光線閃爍。突然間，有個影像吸引了注意，彷彿將人引入畫面深處的另一個空間。」這種觀看經驗形塑了《Cake City》的創作基調——日常風景猶如快速翻頁的書頁，擾動、閃爍，卻在不經意間打開異質時空的入口。她所捕捉的場景不一定具有奇觀性，卻往往在恰到好處的陌生感中，使人懷疑自身在空間系統中的位置。如同她自身所感受的那樣：「我像是一個不合時宜的過客，被排除在景物自有的邏輯之外。」
近年重要展覽包括：「A Good-for-Nothing Haunted by Things」（台南海馬迴光畫廊，2023），獲第21屆台新藝術獎提名；個展「I am trying to sing something useless.」（紐約 CAAC 456gallery／韓國 CICA Museum，2023）；作品《那些偷閒的時間持續暴動中》入圍2021年高雄獎。
Born in 1994, Huang works across photography and spatial installation. Her practice centers on the instability of perception and the fractured rhythms of everyday life. Through fleeting visual encounters and subtle disruptions, she captures moments of hesitation and disorientation in the seemingly familiar.
As the artist describes, “When flipping through a book quickly, the ink on the pages sometimes catches the light and glimmers. Then, all of a sudden, an image captures your attention and draws you into the space within.” In Cake City, the cityscape becomes a restless sequence—flashing past like pages in motion—until, by chance, a moment pulls the viewer into another time and space. These scenes are not overtly spectacular, yet they provoke a quiet unease, a sense of being just out of sync. Objects appear to operate within their own logic, while the artist, like an untimely passerby, remains outside the frame.
Recent exhibitions include A Good-for-Nothing Haunted by Things at Fotoaura Institute of Photography, Tainan (2023), nominated for the 21st Taishin Arts Award; and I am trying to sing something useless at CAAC 456gallery (New York) and CICA Museum (South Korea, 2023). Her work Those Leisure time continues to riot was shortlisted for the 2021 Kaohsiung Award.
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Opening Reception｜06.07 (Sat.) 3-7pm
29 May – 21 June 2025
伊日後樂園 BACK_Y 1＆2F
Tuesday – Saturday 2 – 7 pm ( Last entry at 6:30pm )
類型： 人文藝術展覽
日期 ： 2025-05-29 至 2025-06-21 (兩週至一個月)
地點： 台灣臺北市 伊日後樂園
地址： 台北市內湖區新明路66號
主辦單位： 伊日後樂園
