物讖彭思錡個展
物讖：彭思錡個展
萬物低語中，是否隱含著預言？彭思錡最新個展《物讖》自其近年關注的葉片陶瓷造形出發，形構出融合紙、葉、土與火的創作語彙，分享對生命循環與自然啟示的細膩感知。她自日常途中遇見的構樹與血桐落葉汲取靈感，將自然衰退的片刻，視為來自天地的訊息，隱讖著消長與再生、輕盈與承載的微妙平衡。
其創作過程，亦蘊含內斂細緻的節奏與精神性修煉。她將紙纖與瓷漿附於真實葉片上，使紙與葉在烈焰中焚盡，留下宛如時間刻痕般的微孔與細紋成為瓷器肌理。作品表面施以層層釉色與金屬質地，葉梗則以生漆緩慢塗覆，使作品本身如同一場緩慢沉靜的修行。
本次展出作品不僅封存了陶瓷與生命的脆弱特質，化為另一種自然形貌的延續，也成為觀者通往內在感知的入口。當靜觀自然低語，與物對話，與心對話，彷彿便可在物的輪廓與留痕中，窺見東方哲思中順應天道與萬物共生的智慧。
Prophetic Forms : Si Qi Peng Solo Exhibition
Is there a prophecy hidden in the whispers of all forms? Si Qi Peng’s latest solo exhibition, Prophetic Forms, begins with her ongoing exploration of leaf-shaped ceramics. Weaving together paper, leaves, clay, and fire, she composes a unique visual language that reflects a deep sensitivity to the cycles of life and the quiet revelations of nature. Inspired by the fallen leaves of paper mulberry and Macaranga trees encountered in daily life, Peng sees these moments of natural decline as messages from the universe—subtle prophecies of ebb and renewal, lightness and burden, held in delicate balance.
Her creative process embodies a meditative rhythm and spiritual rigor. By applying layers of paper pulp and porcelain slip onto real leaves, then firing them at high temperatures, she allows the materials to vanish in flames—leaving behind porous traces and delicate textures etched like the marks of time. She adds layers of glaze and metallic finishes to the surfaces, and patiently lacquers each stem with raw lacquer, turning every piece into a quiet, deliberate act of devotion.
These works preserve not only the fragile essence of ceramics and life itself, but also offer a renewed continuation of nature’s forms. They become portals into inner perception. In silent dialogue with each form, viewers are invited to listen—to the whispers of nature, to the voice of matter, to the pulse of their own hearts. And perhaps, through the contours and impressions left behind, glimpse the wisdom of Eastern philosophy: to follow the rhythms of the cosmos and live in harmony with all that exists.
彭思錡
1995年生於桃園，畢業於國立臺北藝術大學美術系及美術系碩士班創作組，主修水墨。揉合其書畫裝裱與修復經驗的技藝基礎，使其作品具工藝精神與東方美學。作品涵蓋水墨、複合媒材與空間裝置，藉由材質與形式勾連情感記憶與時間感知，探索東方藝術表現的多樣可能。
2023年甫獲台北美術獎入選，並曾獲2022年造型藝術類「世安美學獎」及第26屆「南瀛獎」空間與複合媒體類類別獎。曾於關渡美術館、索卡藝術、潮時藝術、福利社 FreeS Art Space，及众藝術舉辦個展，亦曾於台北市立美術館、藝非凡美術館、新營文化中心、國立台灣美術館及日本浦添市美術館舉辦聯展.
Si Qi Peng
Born in 1995 in Taoyuan, Si Qi Peng holds both a BFA and MFA in Fine Arts, with a concentration in Ink Painting, from the Taipei National University of the Arts. Her works reflect a refined sensibility rooted in her training in traditional Chinese painting and mounting techniques, blending craftsmanship with a distinct Eastern aesthetic. Working across ink painting, mixed media, and spatial installation, she explores the emotional and temporal dimensions of materials and forms, offering diverse interpretations of Eastern artistic expression.
In 2023, she was selected for the Taipei Art Awards. In 2022, she received both the S-An Aesthetics Award in the Visual Arts category and the 26th Nanying Award in the Space Art and Mixed Media category. She has held solo exhibitions at Kuandu Museum of Fine Arts, Soka Art Tainan, LIN ART PROJECTS, FreeS Art Space, and Zone Art, and has participated in group exhibitions at Taipei Fine Arts Museum, Mezzo Art, Xinying Cultural Center, National Taiwan Museum of Fine Arts, and Urasoe Art Museum in Japan.
類型： 人文藝術展覽
日期 ： 2025-05-24 至 2025-06-08 (兩週至一個月)
地點： 台灣臺北市 純Object
地址： 台北市大安區敦化南路二段63巷21弄27號1樓
主辦單位： 純Object
